Original post made
on Mar 2, 2013
EYE OF THE BEHOLDER ... Three years ago, artist Sam Yates was a local hero of sorts. After years of snapping and compiling pictures of every city property, he earned a standing ovation from the City Council when he unveiled the not-so-shocking finding that the "Color of Palo Alto" is in fact green. Or, to be accurate, four types of green, depending on how you measure the "average" color (residents ultimately voted on a hue described as a "GI Joe green"). Since then, the public-art project has been fading in the public minds like a discarded watercolor. This month, however, "The Color of Palo Alto" sprung back to life when Palo Alto officials began to wonder whatever happened to the database of 120,000 photos Yates had promised the city as part of the project. While officials say the database is long overdue, Yates begs to differ. In an email to the city, the artist attributes officials' desire to have the $75,000 project completed to "the nature of our society, broadly interested in short-term rewards rather than long-term views of culture, community, and our environment." Local opinions may vary about this project, but Yates seems to think history will vindicate his work of art. "When we walk by a cathedral that took several generations to build, or the Watts Towers that took one man a lifetime, we generally do not say, 'What a waste of time,'" Yates wrote with no hint of irony. "And now, against all odds, through sheer perseverance and heart in the absence of money and despite naysayers, an artist is slowly building something from nothing. Every day I work on the project it increases its value to the community." While his response was filled with philosophical musings, it did not have the one thing the city was hoping to get — a date for when the database will be completed and handed over to the city. The Public Art Commission, which discussed this artistic hiccup last week, expressed optimism that Yates will complete the project some time this month.
Read the full story here Web Link posted Friday, March 1, 2013, 12:00 AM
Posted by Ariel Arieff,
a resident of another community
on Mar 2, 2013 at 11:43 pm
The complexity of this undertaking from the obsessive/compulsiveness of the documentation process (17,000 parcels photographed, which predated Google Street View by six years) to its art historical roots in the work of artists as varied as Marcel Duchamp and Sol Lewitt, from Ed Ruscha to Andy Kauffman, to Sam Yates's commitment to making this a project about sustainability (his means of transport while photographing was a zero-emission electric scooter that he charged nightly in a portable solar garage) points to a real lack of analysis, or creativity for that matter, that goes into so many contemporary HOA decisions.
If only the average HOA board member had a smidgen of Yates's sense of humor (and of the absurd). His next near term project is a campaign video for a color trio (to be voted upon) that will include lawn signs and competing opinions expressed on opposite sides of a residential street.
Maybe by "sustainability he means that people will keep talking about this long after he's gone.
Posted by I recall,
a resident of Crescent Park
on Mar 3, 2013 at 4:45 pm
Apropos compulsivity I remember thinking it was odd that he photographed streets in alphabetical order, not in order of convenience, that is, streets next to one another.
The essense of a database is usually that you can sort the data in different ways and I would expect that you sort in alpha later, and at first just accumulate as much and as efficiently as possible.