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Where the Wild Things Are
Carol (voiced by James Gandolfini) and Max (Max Records) in "Where the Wild Things Are"
Movie Reviews
Where the Wild Things Are    NOW PLAYING   Trailer  
Whole star Whole star Whole star Half star    PG   (2009)   Publication Date Oct. 16, 2009  
In her 1974 essay "Family Structure and Feminine Personality," Nancy Chodorow posited that maternal bonding and absent fathers lead boys to define their masculinity through traumatic separation and defensive individuation. At the time, 5-year-old Adam Spiegel was just a few years off from becoming a child of divorce; now, he's film director Spike Jonze, whose adaptation of Maurice Sendak's "Where the Wild Things Are" projects childhood emotions onto a not-terribly inviting landscape and its monstrous denizens.

Maurice Sendak's children's book was always a sort of psychodrama, the story of an Everyboy named Max who throws a tantrum and transforms his room into an island where he can romp with fellow "wild things." As co-scripted by Jonze and Dave Eggers, the film version of "Where the Wild Things Are" extrapolates that 9-year-old Max (Max Records) -- a child of divorce, natch -- endures a lonely childhood. His pubescent sister is too cool to spend time with him, and his loving but frayed working mom (the always-welcome Catherine Keener) is inviting a new man (Mark Ruffalo) into the home.

Since Max can already feel his world growing colder, it's something of an anti-climax when Max's teacher informs him that the sun is dying. Donning his terrycloth wolf suit, the proud uniform of his childishness, Max busts out his primal scream therapy: howling at the moon and blurting to his mother, "Woman! Feed me! ... I'll eat you up!"

Given a stronger motivation than spoiled farmgirl Dorothy Gale, Max runs away from home on a "Hero's Journey" into his own mind, where his wish-fulfillment fantasy of unfettered play cannot wrestle free of deepset social neuroses. Sure, no man is an island, but how about a child?

In the wild, Max becomes the "king" of a dysfunctional family of monsters, voiced by familiar actors: Judith (Catherine O'Hara), KW (Lauren Ambrose), Ira (Forest Whitaker), Douglas (Chris Cooper), Alexander (Paul Dano) and the mercurial Carol (James Gandolfini), something of a father figure (and alter ego) to Max. In these wild things, Max has conjured peers likewise grappling with separation anxiety and fear of social rejection; they're all splinters of his psyche (with a dash of Mom's perspective). Records turns in fairly amazing work, thanks in no small part to Jonze's ever-creative direction. The actors voicing the wild things physically performed their roles as a model for the actors who later donned the suits, while the expressive faces on the beasts owe to CGI.

Jonze and Eggers have pulled off a rare trick by fashioning not only an honorable take on a classic but slim children's book, but also an adventurous art film made with studio dollars. It's a fine conversation piece for gifted kids, and a fascinating psychological study for adults looking back on the roiling emotions of childhood.

Rated PG for mild thematic elements, adventure action and brief language. 1 hour, 34 minutes.

- Peter Canavese
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