Movie Review

From Up on Poppy Hill

From Up on Poppy Hill
"From Up On Poppy Hill."

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Rated PG for mild thematic elements and some incidental smoking images. One hour, 31 minutes.
Publication date: Publication Date Mar. 29, 2013
Review by Peter Canavese
Released: (2013)

There's nothing supernatural to "From Up on Poppy Hill," the latest film from Hayao Miyazaki's legendary animation house Studio Ghibli. No one flies; animals don't speak; and the only sparkles come off Tokyo Bay. Still, there's magic in the craft of hand-drawn animation, a defiantly old-fashioned style here applied to a nostalgic story.
 
Set in 1963 Yokohama as the cty prepares to host the Olympics, the film derives from the manga "Kokuriko-zaka kara" ("From Coquelicot Hill") by Chizuru Takahashi and Tetsuro Sayama. The story concerns Umi Matsuzaki (dubbed by Sarah Bolger), a high-schooler living and working in a boarding house overlooking the bay. In the absence of her mother, a medical professor studying abroad, Umi looks after her grandmother and younger siblings.
 
Everyday adventure arrives in the form of schoolmate Shun Kazama (Anton Yelchin of "Star Trek"), who has taken notice of Umi's daily habit of raising maritime signal flags. Shun's daring spirit draws Umi more fully into the world, and as they bond over efforts to save a school clubhouse from demolition, romance inevitably stirs. But some surprising shared family history may drive a wedge between the two. (The English-language version, voice-directed by Gary Rydstrom, also features Gillian Anderson, Beau Bridges, Christina Hendricks, Ron Howard, Jamie Lee Curtis and Aubrey Plaza, among others.)
 
It's a simple coming-of-age tale, told with Ghibli's characteristic unhurried pace and unearthly gentleness (think of "Spirited Away" and "The Secret World of Arriety"). Studio founder Miyazaki co-authored the screenplay, but it's his son Goro Miyazaki ("Tales from Earthsea") who directs, overseeing the studio's signature look of delicate detailing and shading amidst a generally sunny and verdant eye on the world. "From Up on Poppy Hill" spends some time in the quaintly ramshackle interior of the clubhouse, but the lasting impression is of sunny days, blue skies and rippling blue waters lined with greenery.
 
In Japan, Ghibli has a Pixar-esque reputation for excellence, and "From Up On Poppy Hill" was both the top grossing Japanese film of 2011 and winner of the Japan Academy Prize for animation. As for American audiences, part of the film's appeal will be its exotic unbound demeanor: how gently the conflicts play out, how much the film seems to breathe. Entirely unlike the audio-visual onslaught customary in American animated features, "From Up On Poppy Hill" feels like a nature walk with friends.
 
That will be some folks' knock against the movie, a J-teen romance that's unabashedly sentimental and could just as easily have been filmed in live-action. It's fair to say that the film will appeal less to the jaded (teens included) and more to tweeners who still dream in chastely romantic terms about one day having someone to hold hands with. Taken on its own terms, "From Up on Poppy Hill" is plain nice, and there's nothing wrong with that.
 

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